![]() Although the physical characteristics of the portrait could not be decisive considering the specific manner that Cézanne nurtured in portrait painting. Some argued that it was the painter’s wife Hortense Fiquet Cézanne since it was her that Cézanne most often portrayed. Researchers have different opinions about the identity of the woman portrayed. At the same time as Lady in Blue, Cézanne is working on another variant of the same portrait called Seated Woman In Blue. The painting Lady in Blue was created in the late phase of Cézanne’s career and is often referred to in the literature as one of the most complete portrait compositions of his mature period. Now, we men experience nature more in terms of depth than surface, whence the need to introduce into our vibrations of light, represented by reds and yellows, a sufficient quantity of blue tones, to give a sense of atmosphere. Lines perpendicular to this horizon give depth. Lines parallel to the horizon give breadth, be it a section of nature or, if you prefer, the spectacle that Pater Omnipotens Oeterne Deus spreads before our eyes. In a letter to Emile Bernard, dated 15 April 1904, Cézanne writes To treat nature in terms of the cylinder, the sphere, and the cone, everything put in perspective, so that each side of an object, of a plane, leads to a central point. 1900, oil on canvas, 88×72 cm, The State Hermitage Museum, Saint Petersburg Cezanne believed that all scenes in nature can be represented using the cylinder, the sphere, and the cone. The structure of Cezanne’s painting is formed by complementary relationships of integrated color fields as well as on the principle of three dominant forms in nature. translating those sensations into elements for building an image. The modernity of Cezanne’s painting was reflected in his attitude towards sensations in nature, i.e. This technique involves arranging patches of paint of similar size in parallel or diagonal directions, treating the figure and face of the portrayed person and the objects in his environment in the same way. During his long career, Cezanne almost always portrayed people from his immediate environment, usually family members or friends. In portraits, he begins to apply the technique he developed in landscape painting – the technique of the so-called constructive brushstrokes. That work was based on the principles of unifying what he sees and what he feels and thinks about the model he is painting and the environment that surrounds him. Lady in Blue – AnalysisĬezanne was committed to the long process of working on the painting. The woman is represented in a sitting position in the interior. The painting Lady in Blue represents an unidentified female middle-aged person in an elegant blue dress. 1900, oil on canvas, 88×72 cm, The State Hermitage Museum, Saint Petersburg What is depicted in Lady in Blue ? This painting is part of the collection of the State Hermitage Museum in Saint Petersburg.
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